To dramatize the evolution of pottery-making, Haeger invited the acclaimed Native American potters, Maria and Julian Martinez of New Mexico, to demonstrate on the premises the ancient methods they used to produce handmade wares, prized for their metallic-like black finish.
Paradis recounted the story of one visitor to the Haeger site who was not impressed. The architect Frank Lloyd Wright complained to designer J. Koenig that the glazes were mundane and unattractive.
The German-born Koenig, known for his classic designs, responded by creating a special glaze for the iconoclastic Wright. Only two vases were made with the glaze, which Paradis described as having a Southwest look--"a grayish, reddish, tan Madraslike drip over a bone-white base.
A native of the Illinois hamlet of Avon near Galesburg, Paradis and his wife traveled around to photograph Haeger collections and learn more about the pottery's history. They also stopped in East Dundee, where it all began in when German immigrant David Haeger wisely purchased a local brick and tile company shortly after the Chicago fire.
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Son Edmund Haeger began the production of artware in , reportedly after seeing samples of the glazed ware a worker had made on his lunch hour. To launch the new enterprise, Haeger hired Martin Stangl, a year-old engineer and designer.
HOUSE OF HAEGER - Chicago Tribune
Only four years earlier he had helped convert a brick and drainage tile operation in Flemington, N. In his book, Paradis illustrates what he calls Haeger's "cousins and cognates. They not only have similar designs but also glazes, such as Haeger's admiral green and Fulper's geranium green.
In conversations, Paradis takes issue with pottery aficionados who dismiss most wares made from the s through the s as too "industrial" because they relied on commercial molds rather than being hand-thrown. In fact, he pointed out, most of the prestigious potteries of the day regularly used molds. Rookwood, for example, used molds of shapes created by its artists, who then hand-decorated and signed the more expensive pieces. It was able to survive when other potteries didn't.
From to the early '20s, Haeger had an Arts and Crafts look in drip, flambe and agate glazes; marks have "Haeger" stamped or incised inside an oblong diamond shape. In the s, under the German-trained J.
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Koenig, Haeger pieces began to have a modern sculptural and Art Deco appearance. During the s and '30s, green diamond-shaped labels were used with the name, "Haeger Pottery, Dundee Ill. Haeger, a German immigrant, became part owner of the Dundee Brickyard in Within a year Haeger was sole owner and had extended the business to include tiles. By the s the brickyard's production included teaware, luncheonware, crystal and glassware.
How to Identify Royal Haeger Pottery
At the Century of Progress Exposition in in Chicago, Haeger Potteries' exhibit included a working ceramic factory where souvenir pottery was made. In , Royal Arden Hickman joined the firm to design a line of artware sold under the brand name "Royal Haeger".
sandnaltetade.cf During the s, Hickman, no longer employed by Haeger Potteries, contributed designs to the company as a freelancer. Haeger pieces have become collectible in recent years. Haeger had a plant in Macomb, Illinois. Alexandra Haeger Estes, great granddaughter of founder David Haeger, became president of the company in She announced on April 6, Haeger Potteries anticipated ceasing operations in May , after years in business.